Coucou mes anges de mode! Welcome back for another week’s worth of scrumptious fashion news! This week, we’re bringing you the lowdown on everything from Balenciaga’s latest all-out spectacle at the New York Stock Exchange to the latest collection from Chloé Nardin, a London-based name to know. There are also brand new product launches from Gucci and Dior, and even an interview with Ibiza’s de facto queen, Roisin Murphy. Gosh, we do spoil you! Here’s what’s in fashion.
Clarke & Reilly take over Sotheby’s
Ok, so this may be a fashion round-up, but is there anything chicer than bending the rules? Well, actually, there is – art! And with Lizzie’s Jubilee weekender just around the corner, the British capital’s institutions are thrumming with activity, launching special programmes in honour of the 70th year of the reign of our stunning queen. Over at Sotheby’s, the esteemed London auction house, collaborative duo Clarke & Reilly were invited to join the in-house curatorial team to bring its summer exhibition to life. Comprising Bridget Dwyer and David Grocott, Clarke & Reilly are best known for their curations and creation of “spaces and environments that lend themselves to provocative, in-person experiences,” a release for the exhibition reads, something that makes itself strongly felt in the show at Sotheby’s’ galleries.
Notable features of the exhibition include a backdrop inspired by a portrait of HRH by Cecil Beaton, an artistic dialogue between artists David Samuel and Edward Kay, and works by the curatorial duo themselves, including an 18th-century chair that has been stripped back and rebuilt with layers of textiles. A particular highlight, though, is a video piece by New York-based filmmaker Zev Magasis, and scored by UNKLE, viewable here. An immersive montage of everyday London, the piece was shot on Zev’s very first visit to the UK, resulting in a raw yet uplifting perspective on life in the big smoke. Sounds fab, right? Well, the show runs from tomorrow till June 15th at Sotheby’s Bond Street galleries – perfect for a quick cultural pitstop between the shops
Balenciaga cashes in at the New York Stock Exchange
Fashion is a self-professedly capitalist affair — as integral as creativity is to it, the end goal for and functioning brand is to translate that into product that makes MONEY, honey. Still, that blunt, commercial reality isn’t necessarily something most brands willingly flout. That said, you wouldn’t really categorise Balenciaga under “most brands”, would you. Last Sunday in Manhattan, Demna and the gang staged their latest show in what it wouldn’t be unfair to dub the beating heart of global capitalism: the New York Stock Exchange. After flashing their invitations to the show — Balenciaga-branded wads of ‘cash’ — an expectedly starry roster of guests which included Marc Jacobs, Megan Thee Stallion, Chloe Sevigny, Pharrell, Ye, but not Kim — sat beneath the whirring neon lights of the trading screens as figures displaying the values of the world’s most powerful companies ticks up and down.
The scene itself amounted to a hyperbolised mirror image of the cult of capitalism and fashion’s essential role within it — this was, after all, this was a literal fashion show staged in its highest temple. Beyond that obvious observation, though, it also laid bare our relationships to the physical tokens that keep the system chugging along — cash, clothes, jewellery and the like – as inherently fetishistic. Money doesn’t just the world go round — it turns us on. Where that was most evident was in the looks that moodily stormed the narrow runway, with each model garbed in gimp suits, most in high-shine black latex. Over them, they wore clothes that riffed on the broad sartorial lexicon that Demna has elaborated during his tenure at the house — oversized tailoring ( very fitting for the context — after all, you never know what a banker could have on under that suit!), velvet hourglass jackets, airy plissé dresses, heavy-set leather coats. The closing 20 or so looks brought with them a surprise many had been awaiting — the arrival of Balenciaga’s long-since rumoured collaboration with Adidas. The looks themselves to the German sports brand’s most iconic looks and motifs: three-strip tracksuits, football shirts and logo tees, though made over in Balenciaga’s signature proportions and knack for sartorial recontextualisation. Puffed up car-coats abounded, and sharp, boxy suits and denim jackets had Three Stripes running down the sleeve. At a time when co-branded capsules have become such an essential profit driver for luxury brands that they’re essentially an industry-wide modus operandi, it’s hard to think of a better way to debut a collaboration between two of the world’s most powerful brands than on gimp suit-wearing models in a stock exchange . It was a literal orgy of commodity fetishism — and we would pay all the money in the world to take part. MS
Balenciaga cashes in at the New York Stock Exchange
Fashion is a self-professedly capitalist affair — as integral as creativity is to it, the end goal for and functioning brand is to translate that into product that makes MONEY, honey. Still, that blunt, commercial reality isn’t necessarily something most brands willingly flout. That said, you wouldn’t really categorise Balenciaga under “most brands”, would you. Last Sunday in Manhattan, Demna and the gang staged their latest show in what it wouldn’t be unfair to dub the beating heart of global capitalism: the New York Stock Exchange. After flashing their invitations to the show — Balenciaga-branded wads of ‘cash’ — an expectedly starry roster of guests which included Marc Jacobs, Megan Thee Stallion, Chloe Sevigny, Pharrell, Ye, but not Kim — sat beneath the whirring neon lights of the trading screens as figures displaying the values of the world’s most powerful companies ticks up and down.
The scene itself amounted to a hyperbolised mirror image of the cult of capitalism and fashion’s essential role within it — this was, after all, this was a literal fashion show staged in its highest temple. Beyond that obvious observation, though, it also laid bare our relationships to the physical tokens that keep the system chugging along — cash, clothes, jewellery and the like – as inherently fetishistic. Money doesn’t just the world go round — it turns us on. Where that was most evident was in the looks that moodily stormed the narrow runway, with each model garbed in gimp suits, most in high-shine black latex. Over them, they wore clothes that riffed on the broad sartorial lexicon that Demna has elaborated during his tenure at the house — oversized tailoring ( very fitting for the context — after all, you never know what a banker could have on under that suit!), velvet hourglass jackets, airy plissé dresses, heavy-set leather coats.
The closing 20 or so looks brought with them a surprise many had been awaiting — the arrival of Balenciaga’s long-since rumoured collaboration with Adidas. The looks themselves to the German sports brand’s most iconic looks and motifs: three-strip tracksuits, football shirts and logo tees, though made over in Balenciaga’s signature proportions and knack for sartorial recontextualisation. Puffed up car-coats abounded, and sharp, boxy suits and denim jackets had Three Stripes running down the sleeve. At a time when co-branded capsules have become such an essential profit driver for luxury brands that they’re essentially an industry-wide modus operandi, it’s hard to think of a better way to debut a collaboration between two of the world’s most powerful brands than on gimp suit-wearing models in a stock exchange . It was a literal orgy of commodity fetishism — and we would pay all the money in the world to take part. MS
You were wearing a good outfit the other night. Christopher John Rogers, was it?
Yeah, I do a lot of psychedelic florals out here. Colour, colour, colour! Especially in this light, hues with a background or washed-out neon work really well here.
Where do you like to go out to eat?
Well, we do a lot of cooking at home. In fact, I had a kitchen in my room at The Standard, so I would just cook there!
A lot of people come to Ibiza to party. What’s your go-to hangover cure?
Well, a good swim. That’s the thing to do. You could go for seafood at Sa Caleta, which is a bit expensive but worth it. Have a nice glass of wine and go for a swim in the sea and the hangover is forgotten. It’ll take all the toxins out. And don’t go straight from DC10 to your low-cost flight home! It’s not a good idea, I’ve done it. I thought the whole world should open up and swallow me up. Have a nice moment before getting on that flight. Maison Margiela have a new photobook to make your coffee table chic
If you’re looking for a chic new print book to book-style your current aesthetic, Maison Margiela have released Visual Essay, a limited edition companion to their SS22 Avant-Premiére collection with all its droopy hats and sheer fashions. The photobook with imagery by Luis Alberto Rodriguez and styled by Tom Guinness, showcases the plurality and possibilities of the world of Maison Margiela that invite its readers to interact with the collection as the full looks that grace its pages are mixed and matched by panels and cutouts to create an entirely new unique vision. Live out your stylist dreams as you flick through its pages! TG
Dior has your new summer wardrobe
Cruise 2023 is fully in session and while Dior Men’s have already graced us with their celebration of Cali cool with it-brand ERL, Maria Grazia Chiuri has also dropped a capsule of vacay-ready wear for this summer. Entitled Dioriviera, the collection is inspired by the high-tech fall 2022 runway seen earlier this year, but with skirts, shorts, flowy dresses, swimwear and accessories in summery hues of tropical orange, mediterranean sky blue and vivid pink. Many of the items from the headbands to the tote bags are printed with Dior’s renowned and timeless toile de jouy, a stunningly intricate jungle botanical print. Throughout the summer these pieces are planned to make an appearance in dreamlike showcases around the world “from Mykonos to Bodrum, Capri to Ibiza, and Tokyo to Paraggi. ” Sounds mysteriously intriguing… keep your eyes peeled girlies! TG
Gucci goes Blondie
It’s true what they say… blondes do have more fun. From Marilyn Monroe to Paris Hilton to Elle Woods to Kim Kardashian (atm), it’s always been the go-to colour of the stars du jour and that’s because it’s more than a hair tone . It’s a vibe, a lifestyle, a way of being if you will. It embodies a free-spirited playfulness and fierce independence in all who wear it. That’s the energy fittingly imbued into the updated version of Gucci’s Blondie bag. You may recognise its distinctive curved body from the Italian house’s Love Parade back in November last year, its larger iterations draped over the model’s shoulders with leather and striped canvas straps, while smaller ones came with short chain handles that tuck away to turn the bag into a clutch. The circular interlocking G signature that brandishes the centre of each piece is inspired by patent documents from the Gucci archives from 1971. With it, Alessandro Michelle brings the fun and sexy energy of the 70s to this modern day evolution of the OG bag. Put down that bottle of Schwarzkopf dye, the Gucci Blondie is all you need to channel icons like Farah Fawcett and Twiggy. TG
